Topic 54: Selection of shrutis in various Ragas in Indian (Hindustani) Classical Music

The amazing thing is that all 22 shrutis are connected to each other only by the most pleasant harmony relationships, namely, S:G1 (100:125) and S:P (100:150) ratios only, as shown below.

rationale_use_shrutis_in_raagas
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MORE RESEARCH TOPICS:

Topic 21 : Discovery of 22 Shrutis from S-R-G-M

Topic 22 : Why “22” Shrutis Only ? : Natural Evolution

Topic 23: Why “22” Shrutis? : Natural Existence on a string

Topic 24 : 22 shrutis – Rational Behind the Ratios

Topic 25: Difference between Equitempered notes and Indian Musical Notes

Topic 26 : Shadjas and Panchams of all 22 Shrutis lie in these 22 positions only

Topic 27 : Bilaterally Equiratioal positioning of 22 Shrutis

Topic 28: Serial positioning of 22 Shrutis according to accurate adjacent ratios.

Topic 29: Bharatamuni’s Shadja and Madhyama Gramas explained

Topic 30: Bharatamuni’s Moorchhanas

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